ON A LADDER OF MODELLING THE CHARACTER OF THE NARRATOR: MULTIMODAL PERSPECTIVE
DOI:
https://doi.org/10.30890/2709-2313.2025-37-02-020Ключові слова:
narrator, multimodal perspective, modelling the character, intertextual elements, ethnocultural personalityАнотація
The sign of the time for the world linguistics is the development of fields which overlap with other spheres of scientific knowledge forming new areas of research such as psycholinguistics, sociolinguistics, ethnolinguistics, linguistic philosophy, cognMetrics
Посилання
Berkeley, G. (2008). An Essay Towards a New Theory of Vision. In Clarke, D. (Ed.). Berkeley: Philosophical Writings. Cambridge: Cambridge University Press.
Bopp, J. (2004). The Sacred Tree. USA: Lotus Press.
Booth, W. (1983). The Rhetoric of Fiction. USA: The University of Chicago Press.
Campbell, J. (2008). The Hero with a Thousand Faces. California: New World Library.
Concepts and contrasts: collective monography. (2017). Petluchenko, N., Potapenko, S., Babelyuk O., Streltsova, E. (Eds.). Odessa: Publishing House “Helvetika”, 632 p.
Erdrich, L. (2005). The Painted Drum. New York: Harper Collins Publishers.
Fludernik, M. (2003). Scene shift, Metalepsis, and the Metaleptic Mode. Style. Vol. 37(4), 382-400.
Friedman, N. (1955). Point of View in Fiction. The Development of a Critical Concept. Publications of the Modern Language Association of America. Vol. 70, 1160-1184.
Füger, W. (1972). Zur Tiefenstruktur Des Narrativen: Prolegomena zu einer generativen, Grammatik‘ des Erzählens. Poetica, Vol. 5(3/4), 268-292.
Garrett, J.T. & Garrett, M. (1996) Medicine of the Cherokee. The Way of Right Relationship. Rochester, Vermont: Bear & Company Publishing.
Garrett, M. (1998). Walking on the wind: Cherokee teachings for healing through harmony and balance. New York: Bear and company publishing.
General methods of sketching. Available at: https://www.thisisservicedesigndoing.com/methods/sketching
Gibson, J.J. (1966). The Senses Considered as Perceptual Systems. Boston, MA: Houghton Mifflin.
Hanebeck, J. (2017). Understanding Metalepsis. The Hermeneutics of Narrative Transgression. Berlin-Boston: Walter de Gruyter.
Hogan, L. (1995). Dwellings. New York: Toughstone Book.
Hogan, L. (2000). Mean spirit. New York: The Ballantine Publishing Group.
Holmquist, L. (2006). Sketching in Hardware. ¬Interactions, 13(1), 47-60.
Jean, T. (2002). 365 Days of Walking the Red-Road. The Native American Path to Leading a Spiritual Life Every Day. Massachusetts: Adams Media Corporation.
Jung, C.G. (1960). Structure and Dynamics of the Psyche. The Collected Works of Jung, C.G. V. 8. Princeton University Press.
Jung, C.J. (2014). Four Archetypes. New York: Routledge.
Klimek, S. (2011). Metalepsis in Fantasy Fiction. In Kukkonen, K. & Klimek, S. (Eds.). Metalepsis in Popular Culture (pp. 22-40). Berlin: De Gruyter.
Lincoln, K. (1985). Native American Renaissance. California: University of California Press.
Lodge, D. (1992). The Art of Fiction. United Kingdom: Secker & Warburg.
Lubbock, P. (1957). The Craft of Fiction. London: Jonathan Cape.
Lyotard, J.-F. (1979). The Postmodrnism Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press.
Macmillan English Dictionary for Advanced Learners. (2002). Oxford: Macmillan Publishers.
White, H. (1973). Metahistory: The Historical Imagination in 19th century Europe. United States: Johns Hopkins University.
Momaday, N.S. (1969). The Way to Rainy Mountain. New Mexico: University of New Mexico Press.
Nelles, W. (1997). Frameworks: Narrative Levels and Embedded Narrative. New York: Peter Lang.
Pier, J. (2014). Narrative Levels. In Hühn, P., Meister, J.Ch., Pier, J., Schmid, W. (Eds.). Handbook of Narratology (pp. 547-563). Berlin-Boston: Walter de Gruyter.
Reas, C., & Fry, B. (2014). Processing: A Programming Handbook for Visual ¬Designers and Artists. The MIT Press: Cambridge, Massachusetts, London, England.
Ryan, M.-L. (2006). Avatars of Story. Minneapolis: University of Minnesota Press.
Schmid, W. (2010). Narratology: An Introduction. Berlin-New York: De Gruyter.
Seif, F.Y. (2019). De-Sign in the Transmodern World. Berlin-New York: Peter Lang.
Skaggs., S. (2017). Fire Signs. A Semiotic Theory for Graphic Design. The MIT Press: Cambridge, Massachusetts, London, England.
Toolan, M. (2014). Coherence. In Hühn, P., Meister, J.Ch., Pier, J., Schmid, W. (Eds.). Handbook of Narratology (pp. 65-84). Berlin-Boston: Walter de Gruyter.
Volkova, S. (2018) Iconicity of syntax and narrative in Amerindian prosaic texts. In Lege Artis. Language yesterday, today, tomorrow. Vol. III (1), 448-479. Warsaw: De Gruyter Open.
Опубліковано
Як цитувати
Номер
Розділ
Ліцензія
Авторське право (c) 2025 Автори

Ця робота ліцензується відповідно до Creative Commons Attribution 4.0 International License.